In that case, expect Property of Love and Freedom from Choice to come along with Happiness in Slavery. In the Romanticized Abuse kind, however, she ( or he) is usually the protagonist. At worst she only exists as a narrative tool to show the audience that this is indeed a No Woman's Land. At best, she's a Damsel in Distress for the hero to rescue. In the former kind, the Sex Slave is rarely a protagonist. This happens especially often in Dystopia, The Empire, and the darker versions of Fetish-Fuel Future, either to show how much the world sucks, or, well, just because. Simply put, this is a character who has been Made a Slave for the sexual desires of others.
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